The Tale of Taliesin

After a good few months of knitting, charting, testing, tech-editing... Taliesin is finally available! taliesin-2

This shawl has quite a long back story, and I thought I would tell some of it here... the design is named after the Welsh poet Taliesin, but I will stick to prose!

It's probably apparent from even a quick glance at some of my past designs that I'm completely obsessed with Celtic knotwork. I learnt how to draw it from the marvellous writings of George Bain (a truly wonderful artist, who inspired so many people with his books) and Aidan Meehan, and I love how the form is underpinnned with mathematical, grid-like structures, yet also allows for a lot of creativity. I don't consider myself an artist and I'm not very good at drawing, but I can invent my own Celtic knots with relative ease, and I find it very relaxing.

Here are some early sketches of knotwork that I made back in April, with a view to turning them into a cabled shawl... originally my design was a little different.

IMG_0405

This was what my original swatch looked like:

Spot the mis-crossed cable!

I decided the different cables were just a bit too fussy, so I went back to the drawing board and simplified things a bit.

IMG_0408

IMG_0409

I eventually ended up with the final design, and set about knitting it up with a beautiful skein of Old Maiden Aunt yarn that I got at the Edinburgh Yarn Festival in March. However, disaster struck when I ran out of yarn halfway through the cast-off!

Every knitter's nightmare...

Perhaps it was a blessing in disguise though, because the shawl was a little bit on the small side for my tastes, and I wanted to enlarge it, so I got another skein. Even though it was from the same dye lot, the colours seemed a little different, and I was worried it would be obvious, so I striped the skeins a bit and in the end it looked fine.

Here it is blocking:

P1010947

This is where things get decidedly bizarre. Somewhat foolishly, given my track record of losing handknitted objects, I decided to wear this shawl to the Beltane Fire Festival on April 30. At some point during all the revelry, I must have dropped my shawl, and didn't notice until after the event had finished and the security guards were shepherding everyone down from Calton Hill, where the event takes place. I tried my best to get back onto the hill, so that I could look for the shawl, but security said no. They said my best bet was to check with the council next day, as they'd be sending in cleaners to clear up the hill.

Now, I had a sinking feeling in my heart that I would never see my shawl again. It was about 3 am by this point, pitch dark, and I was making my way home. The route back to my flat goes past one of the small roads that leads to the top of the hill. All the roads were blocked off with large metal gates, but I happened to notice that there was no guard on this particular road. So, I might have found myself squeezing past that gate and clambering up a pitch dark hill at 3 am in search of a hand-knitted shawl. Yes, perhaps not the most sensible or safe thing to do. But I was desperate to find it, and also reasonably sure that the only people still left up there would be security guards, and not anyone who would try to murder/rob/violently assault me. So, up I went.

I got up to the top of the hill and was completely disoriented. I couldn't even remember where I might have been standing when I dropped the shawl. So I picked a spot, figuring I had to start somewhere, got out my phone, switched on the torch function and began sweeping it along the ground. Within approximately 10 seconds, I spotted something like knitted fabric. I think I may have actually shouted, "NO WAY!" in my disbelief, but yes, it was my shawl!

It still boggles my mind how it was that, by complete fluke, I happened to pick pretty much exactly the correct spot where I had dropped my shawl. A bit of Beltane magic, maybe, or just sheer luck. Either way, I don't think I've ever been so happy to find something that I thought was lost for good!

Greens and blues...

Today, this bundle of loveliness arrived in the post... Shilasdair Luxury DK in gorgeous greens

Yes, that is a whole pile of Shilasdair Luxury DK in the most beautiful contrasting shades of green, and, yep, I know I'm a lucky girl to receive stuff like this in the mail on a regular basis! It's one of the most fun aspects of what I do. Unfortunately I can't give any details on what this heavenly stuff will become, but you'll hear about it here eventually, I promise! Or, get on my newsletter and you'll be the first to hear once the veil of secrecy has been lifted...

I recently got a beautiful new camera and I've been obsessively photographing everything within sight. I'm still getting to grips with all the settings, but it's so much fun! And it's arrived just in time for my new self-published pattern, Taliesin, which should be released in the first or second week of July.

Cables, cables and more cables!

This pattern is still in the test-knitting/editing phase, but if you'd like to find out as soon as it's released, you can either sign up for my newsletter or drop me a PM on Ravelry. I also have a new Ravelry group for my designs too - come and join if you'd like to discuss my patterns - or pretty much anything else!

Knit Now, issue 22 - Arianwen cardigan

I'm really delighted to have a design featured in the current issue (no. 22) of Knit Now magazine!

Image

Arianwen is a waterfall cardigan, knitted in Rowan Fine Lace - I love the versatility of lace-weight cardigans, and how they're great for providing a bit of extra warmth and layering, whilst still being thin enough to fold up in a bag when not needed. Whilst I'm a big fan of waterfall cardigans, and love wearing them hanging open for a loose, casual look, I dislike having the wrong-side of a knitted pattern on display, so I deliberately chose a reversible cable for the front panels of the cardigan.

Image

It's a little tricky to see from the magazine photos, but the sleeves feature a cuff with a matching cable design... here's a close-up of the cuff from my original sample:

arianwen-sub-2-scaled

Knit Now magazine is based in the UK, and available in newsagents, supermarkets, yarn shops, etc. You can also buy electronic copies of the magazine! More info on the Knit Now website.

I shall be releasing a single PDF version of this design soon (and I may include some extra options, such as three-quarter length sleeves). If you'd like to be notified of this, or any other future releases, you can sign up for my newsletter!

Edinburgh Yarn Festival 2013 - the spoils of war!

I'm a bit late blogging about this, but better late than never! On the 16th March 2013, the very first Edinburgh Yarn Festival was held literally just around the corner from my flat (the venue was the Old Drill Hall/Out of the Blue, which technically speaking is in Leith, not Edinburgh, but we shan't get into that now...).

Oh the joys! I have been craving a yarn festival like this in Scotland for so, so long. There was Knit Camp in Stirling a few years back, which I attended, and the market place was great but there were a few problems (ahem, slight understatement) with the organisers and it never happened again. So I was absolutely overjoyed to hear about EYF and I hope it becomes a yearly occurrence.

Needless to say, the festival was absolutely mobbed. I think many were taken aback by the sheer size of the crowds, but I was partially expecting it. I believe many showed up, like me, not only to buy beautiful fibre but also to demonstrate the overwhelming demand for such an event in Scotland.

I tend to get overwhelmed by large crowds, so I didn't stay very long and never got a chance to catch up with anyone, but I did manage to fight my way through the scrums and came away with some fantastic fibrey goodness (pictured below). I'm so glad the event was a success, and fingers crossed it happens again next year!

Victorious spoils of war! L-R: Lioness Yarns King of the Jungle Sock, 'Thoughts'; The Yarn Yard BFL (2 skeins, green and orange); Old Maiden Aunt 100% merino 4-ply, 'Seen the Ocean'; Old Maiden Aunt 80% merino/20% silk laceweight, 'Moody.'